Hagiwara Sakutaro (1886-1942) is mostly well-known in Japan because the most sensible poet to have emerged given that touch was once re-established with the skin international. His paintings represents the fabulous success within the poetic box of basic Meiji activity to mixture "Western studying with the japanese spirit." He and maybe he by myself, have effectively mixed the lyric depth attribute of the fast sorts of conventional jap poetry with the liberty of size, shape and rhythm which characterizes the poetry of the West. In him East and West, regardless of Kipling's dictum, have certainly met; and from him the longer term poets of either traditions have a lot to learn.
For the entire startling attractiveness and originality of his paintings, Hagiwara continues to be a poet of the darkish. Shiveringly delicate to loveliness in all its million modes, he reveals it not just in its popular haunts yet even in such unforeseen topics as rotten calm or the lifeless physique of an alcoholic. a guy intensely acutely aware that the sunlight, that image of Japan, rises as a lot to solid shadows as to offer light.