Philosophy in a New Key: A Study in the Symbolism of Reason, Rite, and Art

Modern theories of which means often culminate in a critique of technological know-how. This e-book offers a examine of human intelligence starting with a semantic idea and best right into a critique of music.

By implication it units up a thought of all of the arts; the transference of its simple thoughts to different arts than track isn't really constructed, however it is sketched, almost always within the bankruptcy on creative import. considerate readers of the unique variation chanced on those far-reaching principles quick sufficient because the occupation of the booklet indicates: it really is as acceptable to literature, paintings and tune as to the sector of philosophy itself.

The subject matters it bargains with are many: language, sacrament, fable, song, abstraction, truth, knowledge--to identify in simple terms the most ones. yet via all of them is going the imperative subject, symbolic transformation because the crucial job of human minds. This primary suggestion, emphasizing because it does the suggestion of symbolism, brings Mrs. Langer's ebook into line with the existing curiosity in semantics. All profound problems with our age appear to focus on the elemental techniques of symbolism and that means. The formative, artistic, articulating energy of symbols is the tonic chord which thinkers of all faculties and lots of diversified fields are unmistakably outstanding; the striking, far-reaching implications of this new basic belief represent what Mrs. Langer has known as "philosophy in a brand new key."

Mrs. Langer's booklet brings the dialogue of symbolism right into a wider basic use than feedback of be aware that means. Her quantity is lively, potent, and good written and should entice every body attracted to the modern difficulties of philosophy.

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Cit. , pp. 78-79. 176 PHILOSOPHY IN a brand new KEY somebody who has a voice or an software can be sure the comfort of musical outpourings, from his personal event. absolutely, at a while, he has been moved to vent his pleasure in track or rhapsody or livid tarantelle. and felt greater for the manic outburst: and. being "keyed up," he most likely sane or performed strangely good. He selected the piece since it looked as if it would "express" his . It appeared to him, not less than on the time, that rhe piece used to be designed to talk his emotions, and never imposs'b'v he may possibly think ceaselessly after that those needs to be the verv emotions the composer meant to checklist within the rating. the good number of interpretations which diversified gamers or auditors will provide to 1 and a similar piece—differences even of such normal feeling-contents as unhappy. offended, elated, impat'ent—make such self belief within the author's intentions look slightly naive. He couldn't poss;bly were feeling all of the diversified feelings his composition appears to be like in a position to convey. actually, that we will be able to use song to paintings off our sub'ective reviews and fix our own stability, yet this isn't its basic functionality. have been it so, it'd be completely most unlikely for an artist to announce a application prematurely, and count on to play it good; or maybe, having introduced it immediate, to specific himself successively in allegro, adagio, presto, and allegretto, because the chanping moods of a unmarried sonata are apt to dictate. Such mercurial passions will be irregular even within the notoriously capricious race of musicians! If tune has any value, it really is semantic, no longer symptomatic. Its "meaning" is obviously now not that of a stimulus to awaken feelings, nor that of a sign to announce them; if it has an emotional content material, it "has" it within the similar feel that language "has" its conceotual content—symbolically. it's not often derived from impacts nor meant for them; yet we might say, with convinced reservations, that it really is approximately them. tune isn't the reason or the therapy of emotions, yet their logical expression: notwithstanding even during this capability it has its targeted methods of functioning, that make it incommensurable with language, or even with presentational symbols like photographs, gestures, and rites. Many makes an attempt were made to regard song as a language of feelings. None has been particularly passable, notwithstanding a few of them are either looking and well-directed. a rare volume of capable considering has been expended at the ph'losophy of song, and the one stumbling-block wh ; ch has held up the development of this significant challenge of "significant shape" has been, i believe, an absence of knowing of the ways that ON importance IN tune 177 logical buildings might input into numerous varieties of "sign;ficance. " essentially the entire paintings has been performed; the anomalies and puzzles that stay, although very baffling, are commonly because of logical misconceptions, or a little bit naive assumptions which just a truth seeker may be anticipated to acknowledge as such. right here we run right into a trouble inherent within the scholarship of our time —the quandary of an excessive amount of wisdom, which forces us to simply accept the so-called "findings" of experts in different fields, "findings" that weren't made near to our searchings, and infrequently go away the issues that may be most vital for us, unfound.

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